This inspiring, exquisitely observed memoir finds hope and beauty in the face of insurmountable odds as an idealistic young neurosurgeon attempts to answer the question What makes a life worth living?

At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality.

What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir.

Brown is not white. Brown is not black. Brown is an experience, a state of mind. Historically speaking, issues of race and skin colour have been interpreted along black and white lines, leaving out millions of people whose stories of migration and racial experiences have shaped our modern world. In this new book Kamal Al-Solaylee fills in the narrative gap by taking a global look at the many social, political, economic and personal implications of being a brown-skinned person in the world now. Brown people have emerged as the source of global cheap labour (Hispanics or South Asians) while also coming under scrutiny and suspicion for their culture and faith (Arabs and Muslims). To be brown is to be on the cusp of whiteness and on the edge of blackness.

Brown is packed with storytelling and on-the-street reporting conducted over two years in 10 countries from four continents that reveals a multitude of lives and stories from destinations as far apart as the United Arab Emirates, Philippines, Britain, Trinidad, France, Hong Kong, Sri Lanka, Qatar, the United States, and Canada. 

Acclaimed scientist Hope Jahren has built three laboratories in which she's studied trees, flowers, seeds, and soil. Her first book might have been a revelatory treatise on plant life. Lab Girl is that, but it is also so much more. Because in it, Jahren also shares with us her inspiring life story, in prose that takes your breath away.

Lab Girl is a book about work, about love, and about the mountains that can be moved when those two things come together. It is told through Jahren's remarkable stories: about the things she's discovered in her lab, as well as how she got there; about her childhood--hours of unfettered play in her father's laboratory; about how she found a sanctuary in science, and learned to perform lab work "with both the heart and the hands"; about a brilliant and wounded man named Bill, who became her loyal colleague and best friend; about their adventurous, sometimes rogue research trips, which take them from the Midwest all across the United States and over the Atlantic, from the ever-light skies of the North Pole to tropical Hawaii; and about her constant striving to do and be the best she could, never allowing personal or professional obstacles to cloud her dedication to her work.

With his last novel, Cataract City, Craig Davidson established himself as one of our most talented novelists. But before writing that novel and before his previous work, Rust and Bone, was made into a Golden Globe-nominated film, Davidson experienced a period of poverty, apparent failure and despair. In this new work of riveting and timely non-fiction, Davidson tells the unvarnished story of one transformative year in his life and of his unlikely relationships with a handful of unique and vibrant children who were, to his initial astonishment and bewilderment, and eventual delight, placed in his care for a couple of hours each day--the kids on school bus 3077.

One morning in 2008, desperate and impoverished while trying unsuccessfully to write, Davidson plucked a flyer out of his mailbox that read, "Bus Drivers Wanted." That was the first step towards an unlikely new career: driving a school bus full of special-needs kids for a year. Armed only with a sense of humour akin to that of his charges, a creative approach to the challenge of driving a large, awkward vehicle while corralling a rowdy gang of kids, and unexpected reserves of empathy, Davidson takes us along for the ride. He shows us how his evolving relationship with the kids on that bus, each of them struggling physically as well as emotionally and socially, slowly but surely changed his life along with the lives of the "precious cargo" in his care.

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl’s halftime show. The experience was so exhilarating that Bruce decided to write about it. That’s how this extraordinary autobiography began.

Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs.

He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as “The Big Bang”: seeing Elvis Presley’s debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song “Born to Run” reveals more than we previously realized.

In 1989, as the Berlin Wall crumbled and the Cold War dissipated, the American political commentator Francis Fukuyama wrote a famous essay, entitled “The End of History.” But a quarter of a century after Fukuyama’s bold prediction about transcending the struggles of the past, history has returned. The twenty-first century has not seen unfettered progress toward peace and a single form of government, but the reappearance of trends and practices many believed had been erased: arbitrary executions, attempts to annihilate ethnic and religious minorities, the starvation of besieged populations, invasion and annexation of territory, and the mass movement of refugees and displaced persons. It has also witnessed cracks and cleavages within Western liberal democracies, particularly as a result of deepening economic inequality ― at levels not seen since the end of the nineteenth century.

The Return of History both illustrates and explains this return of history. But it also demonstrates how the reappearance of acts deemed “barbaric” or “medieval” has a modern twist. Above all, it argues that the return of history should encourage us all to remember that our own liberal democratic society was not inevitable and that we must all, as individual citizens, take a more active role in its preservation and growth.

From the Pulitzer Prize winner, a surprising, powerful and eloquent non-fiction debut.

In Other Words is at heart a love story--of a long and sometimes difficult courtship, and a passion that verges on obsession: that of a writer for another language. For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. And although Lahiri studied Italian for many years afterward, true mastery had always eluded her. So in 2012, seeking full immersion, she decided to move to Rome with her family, for "a trial by fire, a sort of baptism" into a new language and world.

In Rome, Lahiri began to read, and to write--initially in her journal--solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, it is a book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Nabokov. A startling act of self-reflection and a provocative exploration of belonging and reinvention. Translated from the Italian by Ann Goldstein.

Even before she made a name for herself on the silver screen starring in films like Pitch Perfect, Up in the Air, Twilight, and Into the Woods, Anna Kendrick was unusually small, weird, and “10 percent defiant.”

At the ripe age of thirteen, she had already resolved to “keep the crazy inside my head where it belonged. Forever. But here’s the thing about crazy: It. Wants. Out.” In Scrappy Little Nobody, she invites readers inside her brain, sharing extraordinary and charmingly ordinary stories with candor and winningly wry observations.

With her razor-sharp wit, Anna recounts the absurdities she’s experienced on her way to and from the heart of pop culture as only she can—from her unusual path to the performing arts (Vanilla Ice and baggy neon pants may have played a role) to her double life as a middle-school student who also starred on Broadway to her initial “dating experiments” (including only liking boys who didn’t like her back) to reviewing a binder full of butt doubles to her struggle to live like an adult woman instead of a perpetual “man-child.”

From the Pulitzer Prize-winning, bestselling author of The Emperor of All Maladies—a magnificent history of the gene and a response to the defining question of the future: What becomes of being human when we learn to “read” and “write” our own genetic information?

Siddhartha Mukherjee has a written a biography of the gene as deft, brilliant, and illuminating as his extraordinarily successful biography of cancer. Weaving science, social history, and personal narrative to tell us the story of one of the most important conceptual breakthroughs of modern times, Mukherjee animates the quest to understand human heredity and its surprising influence on our lives, personalities, identities, fates, and choices.

Throughout the narrative, the story of Mukherjee’s own family—with its tragic and bewildering history of mental illness—cuts like a bright, red line, reminding us of the many questions that hang over our ability to translate the science of genetics from the laboratory to the real world.

To charity workers, Dadaab refugee camp is a humanitarian crisis; to the Kenyan government, it's a "nursery for terrorists"; to the western media, it's a dangerous no-go area; but to its half a million residents, it is their last resort.

Situated hundreds of miles from any other settlement, in the midst of the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of the individuals who have sought sanctuary in the camp. Among them are Guled, a former child soldier who lives for soccer; Nisho, who scrapes together an existence by pushing a wheelbarrow and dreaming of riches; Tawane, the indomitable youth leader; and schoolgirl Kheyro, whose future hangs upon her education.

With deep compassion and rare eloquence, Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. 

From the bestselling author of The Organized Mind, the must-have book about how to analyze who and what to trust in the age of information overload.

It's becoming harder to separate the wheat from the digital chaff. How do we distinguish misinformation, pseudo-facts, distortions and outright lies from reliable information? In A Field Guide to Lies, neuroscientist Daniel Levitin outlines the many pitfalls of the information age and provides the means to spot and avoid them.

Levitin groups his field guide into two categories--statistical infomation and faulty arguments--ultimately showing how science is the bedrock of critical thinking. It is easy to lie with stats and graphs as few people "take the time to look under the hood and see how they work." And, just because there's a number on something, doesn't mean that the number was arrived at properly. Logic can help to evaluate whether or not a chain of reasoning is valid. And "infoliteracy" teaches us that not all sources of information are equal, and that biases can distort data.

A vivid first-person account of life on a troubled reserve that illuminates a difficult and oft-ignored history.

When freelance journalist Alexandra Shimo arrives in Kashechewan, a fly-in, northern Ontario reserve, to investigate rumours of a fabricated water crisis and document its deplorable living conditions, she finds herself drawn into the troubles of the reserve. Unable to cope with the desperate conditions, she begins to fall apart.

A moving tribute to the power of hope and resilience, Invisible North is an intimate portrait of a place that pushes everyone to their limits. Part memoir, part history of the Canadian reserves, Shimo offers an expansive exploration and unorthodox take on many of the First Nation issues that dominate the news today, including the suicide crises, murdered and missing indigenous women and girls, Treaty rights, Native sovereignty, and deep poverty.

During the 2015 federal election, approximately 1200 political campaigns were held across Canada. One of those campaigns belonged to author, journalist and political neophyte Noah Richler. Recruited by the NDP to run in the bellwether riding of Toronto-St Paul's, he was handed $350 and told he would lose. But as veteran NDP activists and social-media-savvy newbies joined his campaign, Richler found himself increasingly insulated from the stark reality that his campaign was flailing, imagining instead that he was headed to Parliament Hill. In The Candidate, Richler recounts his time on the trail in sizzling detail and hilarious frankness, from door knocking in Little Jamaica to being internet-shamed by experienced opponents. The Candidate lays bare what goes on behind the slogans, canvassing and talking points, told from the perspective of a political outsider. With his signature wit and probing eye, Noah Richler's chronicle of running for office is insightful, brutally honest and devastatingly funny.

From an award-winning Canadian-Israeli writer comes the true story of a band of young soldiers, the author among them, charged with holding one remote outpost in Lebanon, a task that changed them forever and foreshadowed today's unwinnable conflicts in Iraq, Afghanistan, and elsewhere.

It was small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples that continue to emanate worldwide today. The hill was called the Pumpkin; flowers was the military code word for "casualties." Friedman's visceral narrative recreates harrowing wartime experiences in a work that is part frontlines memoir, part journalistic reporting, part military history. The years in question were pivotal ones, and not just for Israel. They saw the perfection of a type of warfare that would eventually be exported to Afghanistan and Iraq. The new twenty-first century war is one in which there is never any clear victor, and not enough lives are lost to rally the public against it. Eventually Israel would come to realize that theirs was a losing proposition and pull out. But, of course, by then these soldiers--those who had survived--and the country had been wounded in ways large and small. 

The New York Times bestselling investigation into the sexual, economic, and emotional lives of women.

In 2009, award-winning journalist Rebecca Traister started All the Single Ladies about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.

But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more. Today, only twenty percent of Americans are married by age twenty-nine, compared to nearly sixty percent in 1960.

A Good Death is timely, engaging and inspiring. In taking on our ultimate human right, award-winning journalist Sandra Martin charts the history of the right to die movement here and abroad through the personal stories of brave campaigners like Sue Rodriguez, Brittany Maynard and Gloria Taylor. Martin weighs the evidence from permissive jurisdictions such as the Netherlands, Oregon, California, Switzerland and Quebec and portrays her own intellectual and emotional journey through the tangled legal, medical, religious and political documentation concerning terminal sedation, slippery slopes, and the sanctity of life.

Modern death has become a wrenching political dilemma, one that becomes more pressing as the population ages. A Good Death confronts our fears about dying, our struggle for meaning, and our dread of being trapped by voracious medical technology in a nightmare world that has abandoned caring in pursuit of curing, no matter the cost or the suffering to patients and their families.

A Good Death asks the tough question none of us can avoid: How do we want to die? The answer will change your life-and your death.

In The Art of Waiting, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives.

In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.

On the night of December 29, 2013, Egyptian security forces, in a dramatic raid on the Marriott Hotel, seized Fahmy (Canadian-Egyptian Bureau Chief for Al Jazeera English) and two of his colleagues, Peter Greste and Baher Mohamed, accusing them of fabricating news as members of the outlawed Muslim Brotherhood. Their trials became a global cause célèbre condemned as a travesty. But Fahmy also never stopped being a journalist: inside Scorpion he found himself cheek by jowl with notorious Muslim Brotherhood leaders, Al Qaeda fighters, and ISIS sympathizers. Always intrepid, he took advantage of the situation to "interview" the Brotherhood about their aims, gaining exclusive insight into the geopolitical feuds between Egypt, Saudi Arabia, and the UAE on one hand and Qatar and its allies, including Turkey on the other—interviews that led him to sue his former employer, Al Jazeera, from prison. The complex power brokering of Middle Eastern and Western governments left three men trapped in a web he describes as "Global McCarthyism." But at the heart of the book is an inspiring story of two strong women: Fahmy's wife, Marwa Omara, who used every means possible to fight for his release, bravely risking her safety; and his courageous international human-rights lawyer, Amal Clooney, who championed his battle for freedom.

In 99: Stories of the Game, Gretzky looks back on the last ninety-nine years and tells us, from his point of view, about the NHL’s most memorable moments. We already know what he means to the game. Now he shows us what the game means to him.

From hockey's fierce early battles on natural ice; through its mythical golden era, where Howe, Richard, Béliveau, Hull, Orr, and Esposito defined greatness; through the unforgettable dynasties in Montreal, New York, and Edmonton and the success stories of today’s NHL, Gretzky takes us onto the ice and into the dressing room to share never-before-published stories about the great players and great characters who have inspired him.

With the insight of someone who knows the incomparable thrill of lifting the Stanley Cup, as well as the agony of falling short against a bitter rival, Gretzky weaves in his own memories with the saga of the game that has meant so much to him.